The series Colour doesn't Hurt focuses on themes such as guilt, innocence, envy and prejudices. Via these themes, the exuberant experience of pure colour challenges the viewer to either endure, admire or despise the image, which often is loaded with religious stories and cultural references.

Colour doesn't Hurt, 2026, Studio Seine, Rotterdam, solo

Colour doesn't Hurt, 2026, Studio Seine, Rotterdam, solo

Blush, 2025, casein on wood, 62.5 x 90 x 4 cm and 50.7 x 75 x 4 cm

Pink Pressure, 2026, ceramics, robe, eye nut, 50 x 15 x 15 cm

Kobalt Peak, 2026, ceramics and robe, 70 x 11 x 9 cm

Joseph´s Dreamcoat I, 2024, casein on wood, 120 cm Ø

Joseph's Dreamcoat II, 2024, casein on wood, 84 cm Ø

Joseph's Dreamcoat III, 2024, casein on wood, 93 cm Ø

Joseph's Dreamcoat IV, 2024, casein on wood, 103 cm Ø

Joseph's Dreamcoat V, 2024, casein on wood, 103 cm Ø

Black Bleed I, 2024, casein on paper, 38 x 38 cm

Embarrassments I, 2025, casein and silk paper on cardboard, 9,5 x 9,5 cm

Embarrassments IV, 2025, casein and silk paper on paper, 10 x 10 cm

Embarrassments II, 2025, casein and silk paper on holographic paper, 18,5 x 26 cm

Venae, 2025, casein on watercolor paper and tracing paper, 33 x 70 cm

Bruise I, 2025, casein on wood, 26 cm Ø

Bruise II, 2025, casein on wood, 30 cm Ø

Bruise III, 2025, casein on wood, 22,5 cm Ø

Bruise IV, 2025, casein on wood, 23 cm Ø

Mea Culpa, 2024, video 1.29 min

Incarnaat, 2024, video, 1.47 min

Though your sins be as Scarlet, 2023, beeswax paint and coloured silicone rubber on cardboard, iron meat hook, 165 x 37 x 32 cm